|The 'Rice' Portrait of Jane Austen|
I have always loved the 'Rice' portrait, which is just how I imagine a young Jane looked so when Mrs. Rice suggested meeting up for a chat about our mutual fascination with all things Jane Austen, I couldn't wait to meet her! I had so many questions I wanted to ask and Anne was so generous with her time, answering everything I wanted to know. It's always lovely to meet someone else who is as interested by Jane Austen and her life as I am, and we've met many times since. Mrs. Rice very kindly gave me the opportunity to go to Paris to see the portrait, and I can't tell you how thrilled I was to go and see Jane for myself!
|Eva Schwan and the 'Rice' Portrait|
We were to see the portrait at the studio of Eva Schwan, the restorer who has been responsible for cleaning Jane, and bringing her back to life. Eva is a very talented lady with an M.A. not only from the Institut National du Patrimoine, but she also has an M.A. from the Courtauld Institute of Art in London, so it was fascinating to hear about her work. She spent many months painstakingly cleaning the portrait, little by little, and Eva told me how Jane seemed to look more and more pleased as her little gold earrings sparkled once more, and as the glossy spots on her gown twinkled again. It was a little like removing her make-up, Eva said, as the years of dirt and conservation paint were stripped away to reveal Ozias Humphry's original brushwork. I have to say the painting is absolutely beautiful. Jane looks fresher, and younger, and the soft curl is evident in her hair once more. The leaves on the trees are turning, their tips dashed with autumnal hues, and the sky overhead is a dramatic one, providing the perfect foil for her sheer gauzy muslin, with a slip of pink persian just revealed through the diaphanous layers. As Eva said, her slippers are back to their original tint - they look softer, almost like velvet, the colour of mink. The little green parasol doesn't look as if it will be strong enough to withstand a shower from the indigo sky above, but here is a young girl on the brink of becoming an adult, and doesn't she look proud to be holding such a trophy? Professor Marilyn Butler made the point in a Times article that Jane Austen makes reference to a young girl Mary and a parasol in her unfinished work, Sanditon. And I will get Mary a little parasol, which will make her as proud as can be. How grave she will walk about with it and fancy herself quite a little woman.
I completely agree, I'm sure this was a memory Jane had herself of having her own parasol. I shall be writing more on the subject later on.
It was wonderful to see the painting, and to meet Eva who chatted passionately about her work. It was a fabulous day that I shall never forget.
I am going to be doing a series of posts about the Rice portrait, on the provenance of the painting, including new evidence, and also about past misconceptions. I have asked Mrs. Rice if she would write about the history of the painting for us in her own words, as I think you'll be fascinated to hear about its story. I have loved hearing all about it, and have been privileged to have access to files of letters, pictures and documents from the Rice family, and other Austen family members. I shall be bringing these to your attention over the next few weeks! In due course, Mrs. Rice will be including all the new information on a website made especially for the purpose, so as soon as it's up and running, I will let you know!
There is some additional information on the artist Ozias Humphry who painted the portrait here and here.